Objects from Classical antiquity that have survived into the modern era have enticed, inspired, and haunted those who encountered or possessed them. Collectors, in turn, have charged ancient objects with emotional, spiritual, and temporal power, enrolling them in all aspects of their lives, from questions of politics and religion to those of race and sexuality. This course explores intimate histories of private ownership of antiquities as they appear within literature, visual art, theater, aesthetics, and collecting practices. Focusing on the sensorial, material and affective dimensions of collecting, we will survey histories of modern classicism that span from the 18th century to the present, from the Mediterranean to the Pacific. Historical sources will include the writings of Johann Gottfried Herder, Johann Joachim Winckelmann, Emma Hamilton, Vernon Lee, and Sigmund Freud, among others, while secondary source scholarship will draw from the fields of gender studies, history of race, history of art, and the history of emotions. We will supplement our readings with occasional museum visits and film screenings. This course is team taught as an interdisciplinary course, and we welcome students from all backgrounds, with no previous experience in ancient art or modern history required.
Special Prerequisite: instructor consent required. Email both instructors describing your interest in the course, how it fits into your broader studies, and any relevant background (firstname.lastname@example.org and email@example.com). This is a traveling seminar that includes a 4-day trip to visit California museum collections.